James' World 2

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Frederic Edwin Church (May 4, 1826 – April 7, 1900) was an American landscape painter born in Hartford, Connecticut. He was a central figure in the Hudson River School of American landscape painters, best known for painting large landscapes, often depicting mountains, waterfalls, and sunsets. Church’s paintings put an emphasis on realistic detail, dramatic light, and panoramic views. He debuted some of his major works in single-painting exhibitions to a paying and often enthralled audience in New York City. In his prime, he was one of the most famous painters in the United States.

Frederic Edwin Church was a direct descendant of Richard Church, a Puritan pioneer from England who accompanied Thomas Hooker on the original journey through the wilderness from Massachusetts to what would become Hartford, Connecticut. Church was the son of Eliza (1796–1883) and Joseph Church (1793–1876). Frederic had two sisters and no surviving brothers. His father was successful in business as a silversmith and jeweler and was a director at several financial firms. His mother’s brother was Adrian Janes, who owned an iron foundry that constructed the U.S. Capitol Dome. The family’s wealth allowed Frederic to pursue his interest in art from a very early age. In 1844, aged 18, Church became the pupil of landscape artist Thomas Cole in Catskill, New York after Daniel Wadsworth, a family neighbor and founder of the Wadsworth Athenaeum, introduced the two. Church studied with him for two years; by this time his talent was more than evident. Cole wrote that Church had “the finest eye for drawing in the world”. During his time with Cole, he traveled around New England and New York to make sketches, visiting East Hampton, Long Island, Catskill Mountain House, The Berkshires, New Haven, and Vermont. His first recorded sale of a painting was in 1846 to Hartford’s Wadsworth Athenaeum for $130; it was a pastoral depicting Hooker’s journey in 1636. In 1848, he was elected as the youngest Associate of the National Academy of Design and was promoted to full member the following year. He took his own students including Walter Launt Palmer, William James Stillman, and Jervis McEntee. Wikipedia

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A painting Heart Of The Andes by Frederic Edwin Church

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Eagle Pass is a city in and the county seat of Maverick County in the U.S. state of Texas. Its population was 26,255 as of the 2010 census (2019 estimate 29,684).

Eagle Pass borders the city of Piedras Negras, Coahuila, Mexico, which is to the southwest and across the Rio Grande. The Eagle Pass-Piedras Negras metropolitan area (EG-PN) is one of six binational metropolitan areas along the United States-Mexican border. As of January 2008, according to the US census, the EGPN’s population was 48,401 people, and the Piedras Negras metropolitan area’s population was 169,771.

Eagle Pass was the first American settlement on the Rio Grande. Originally known as Camp Eagle Pass, it served as a temporary outpost for the Texas militia, which had been ordered to stop illegal trade with Mexico during the Mexican–American War. Eagle Pass is so named because the contour of the hills through which the Rio Grande flows bore a fancied resemblance to the outstretched wings of an eagle.

General William Leslie Cazneau (1807–1876) founded the Eagle Pass townsite in the 1840s.

In 1850, Rick Pawless opened a trading post called Eagle Pass. In 1871, Maverick County was established, and Eagle Pass was named the county seat. During the remainder of the 19th century, schools and churches opened, the mercantile and ranching industries grew, and a railway was built. Wikipedia

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An image from Eagle Pass, TX, USA

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Vermilion Cliffs National Monument is located in northern Coconino County, Arizona, United States, immediately south of the Utah state line. This national monument, 293,689 acres (118,852 ha) in area, protects the Paria Plateau, Vermilion Cliffs, Coyote Buttes, and Paria Canyon. Elevations in the monument range from 3,100 feet to 6,500 feet above sea level (944 to 1,981 meters).

Established on November 9, 2000, by a presidential proclamation by President Bill Clinton, Vermilion Cliffs National Monument was carved from existing lands already under the management of the U.S. Government in extreme northern Coconino County, Arizona, immediately south of the border with the state of Utah. The monument is administered by the U.S. Bureau of Land Management, an agency within the U.S. Department of the Interior. The Vermilion Cliffs themselves run along the southern and eastern edges of the monument. Much of the monument’s land consists of the Paria Plateau, a flat area extending northward from the tops of the cliffs.

The Vermilion Cliffs are steep eroded escarpments consisting primarily of sandstone, siltstone, limestone, and shale which rise as much as 3,000 feet (910 m) above their bases. These sedimentary rocks have been deeply eroded for millions of years, exposing hundreds of layers of richly colored rock strata. Mesas, buttes, and large tablelands are interspersed with steep canyons, where some small streams provide enough moisture to support a sampling of wildlife.

More than twenty species of raptors, including bald eagles and golden eagles, peregrine falcons, and several hawk species, have been observed. The endangered California condor has been re-introduced into this region recently due to its remote location and lack of human habitation. Desert bighorn sheep, pronghorns, and mountain lions make up most of the large mammals found here, with about 30 more species of smaller mammals. Several examples of rare fish species, such as the flannel moth sucker and the speckled dace live in the streams of the monument. The Welsh’s milkweed Asclepias_welshii, a threatened plant species that grows on sand dunes and helps stabilize them, is known to exist only in the monument and one other area in neighboring Utah.

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An image from White Pocket Vermilion Cliffs National Monument

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