May 13, 2021
Mohenjo
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Oakland is the largest city and the county seat of Alameda County, California, US. A major West Coast port city, Oakland is the largest city in the East Bay region of the San Francisco Bay Area, the third-largest city overall in the San Francisco Bay Area, the eighth-most populated city in California, and the 45th most populated city in the United States. With a population of 433,031 as of 2019, it serves as a trade center for the San Francisco Bay Area; its Port of Oakland is the busiest port in the San Francisco Bay, the entirety of Northern California, and the fifth busiest in the United States of America. An act to incorporate the city was passed on May 4, 1852, and incorporation was later approved on March 25, 1854, which officially made Oakland a city. Oakland is a charter city.
Oakland’s territory covers what was once a mosaic of California coastal terrace prairie, oak woodland, and north coastal scrub. Its land served as a rich resource when its hillside oak and redwood timber were logged to build San Francisco. Oakland’s fertile flatland soils helped it become a prolific agricultural region. In the late 1860s, Oakland was selected as the western terminal of the Transcontinental Railroad. Following the 1906 San Francisco earthquake, many San Francisco citizens moved to Oakland, enlarging the city’s population, increasing its housing stock, and improving its infrastructure. It continued to grow in the 20th century with its busy port, shipyards, and a thriving automobile manufacturing industry.
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An image from Oakland, CA, USA
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May 13, 2021
Mohenjo
Arts, Business, Human Interest, Technical
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How surreal is it that even as India and Brazil are at the gates of pandemic hell, much of Europe is still easing out of lockdown, parts of Canada remain shut down, and many in the United States are not yet vaccinated, a big, glitzy art fair was able to open in New York? Does the return of the fairs signal a return to the old business-as-frenzied-usual that, even pre-pandemic, everyone agreed had become obscene — an art world catering mainly to the ultrarich, performing power and price-fixing in plain view? Is it a sign of mindless addiction, of a market endlessly self-replicating — or is it an affirmation of art as a transformative force, a site of commonality and can-do spirit?
Last week saw the latest iteration of Frieze New York, the hippest of the hundreds of global art fairs that, pre-pandemic, had become some of the most economically risky but necessary components of financial survival on the nonstop money-go-round art-world trading floor. These fairs burned more spiritual and caloric energy than they ever put out. Greater and greater percentages of annual sales took place at these massive convergences, while gallery foot traffic dwindled and actual art shows went nearly unseen; galleries had to participate in fairs or go under. If they threatened to pull out, they risked triggering their artists’ FOMO — and possibly defection for more monied pastures. It was a system no one liked but that no one knew how (or was willing) to stop because it supported thousands of galleries and tens of thousands of artists in sales. Even if many of those galleries and artists were no good, the art-fair system had the power to turn the art-world trickle-down into a gushing market firehose.
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Work by Otis Houston Jr. at Gordon Robichaux’s Frieze booth. Photo: Casey Kelbaugh
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May 13, 2021
Mohenjo
Arts, Business, Food For Thought, Human Interest, Technical
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By the time Alison Bechdel sat down in earnest to draw her third book, The Secret to Superhuman Strength, she was drinking less and had stopped going to therapy. She felt — dare she say it? — happy. The cartoonist, whose comic strip “Dykes to Watch Out For” was a serial fixture in queer newspapers from 1983 to 2008, is best known for her graphic memoirs Fun Home (2006), which became a hit Broadway musical (it’s now being adapted into a film featuring Jake Gyllenhaal), and Are You, My Mother? (2012). While both of these books are deeply personal excavations into her family history, Superhuman Strength examines her relationship to the world through her body and exercise. Her partner, Holly Rae Taylor, did the coloring work, which meant Bechdel needed to relinquish some measure of control — a theme throughout her work and her life. “I was very trained to be completely stuck in my head,” she says from her studio in Vermont. “Queerness brought me into my body; therapy brought me into my feelings. With this book, I’ve tried to come back out into the world.”
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Photo: Jeanette Spicer
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May 13, 2021
Mohenjo
Crime, Human Interest, Medical, missed News, Science, Technical
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May 12, 2021
Mohenjo
Business, Enthralling, Human Interest, Photographs
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Salzburg literally “Salt Fortress”; Bavarian: Soizbuag) is the capital city of the State of Salzburg and the fourth-largest city in Austria. In 2020, it had a population of 156,872
The town is located on the site of the former Roman settlement of Iuvavum. Salzburg was founded as an episcopal see in 696 and became a seat of the archbishop in 798. Its main sources of income were salt extraction and trade and, at times, gold mining. The fortress of Hohensalzburg, one of the largest medieval fortresses in Europe, dates from the 11th century. In the 17th century, Salzburg became a center of the Counter-Reformation, where monasteries and numerous Baroque churches were built. Wikipedia
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An image from Salzburg Austria
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May 12, 2021
Mohenjo
Arts, Business, Human Interest, Science, Technical
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In the recently released documentary Sisters with Transistors, beloved avant-garde artist Laurie Anderson poses a provocative question: “How do you exorcise the canon of classical music of misogyny?” She pauses a beat, eventually answering: “With two oscillators, a turntable, and tape delay.”
The issue Anderson raises is a familiar one. In the last few years, electronic music has undergone a discursive reckoning: scholars, producers, DJs, journalists, and select labels and festivals have called for a feminist reimagining of electronic music’s past and present. This narrative shift has spotlit the women behind the boards; those tinkering with tape machines and oscillators, searching for a sense of freedom in the technology that once upended the traditional structures of composition and music.
Efforts to center women in this musical canon have ranged from comprehensive to dubious. In 2017, Caroline Polachek pulled out of the electronic music and technology festival Moogfest after it announced a lineup of exclusively “female, transgender, and non-binary artists,” saying she was skeptical of the low-level political signaling and the use of gender as a curatorial tool. Documentaries like Underplayed have focused on exposing artists’ personal struggles with discrimination, while all-female collectives and networks, including Discwoman, female: pressure, NÓTT, and dozens of others, have emerged to denounce the realities of a sexist industry across the world. The conversation is taking place in academia too; Columbia University recently organized a symposium devoted to excavating the contributions of long-forgotten forbears. To amend a fragmented history is difficult, particularly in a comprehensive and equitable way.
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Graphic by Drew Litowitz. From left: Clara Rockmore (courtesy of the Clara Rockmore Foundation), Jacqueline Nova (courtesy of Ana María Romano G), Suzanne Ciani (center, courtesy of Suzanne Ciani), Pauline Oliveros (courtesy of Mills College), and Daphne Oram (courtesy of the Daphne Oram Trust).
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May 12, 2021
Mohenjo
Business, Food For Thought, Human Interest, Science, Technical
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Richard Zamboni walks around the first ice-surfacing machine his father built seven decades ago. The 88-year-old is taking his time to remember.
“We’re using the same framework today, basically, that [my dad] came up with,” he says, his hands on the wood-paneled machine.
It’s late February 2020. Fifteen miles south of downtown Los Angeles, in Paramount, California, Zamboni is giving a tour of the family’s factory as well as one of the oldest operating ice skating rinks in the country, Iceland. In a corner of Iceland is the Model A. First built in 1949, it’s the original Zamboni machine, a name that’s become indistinguishable from the thing itself, like Xerox, Kleenex, or Google.
From an amateur’s eye, this large, wooden, double-decked Rube Goldberg–type contraption looks a whole lot different from the smooth, slick, boxy modern Zamboni that’s resurfacing ice rinks today. Yes, the engine is much more powerful now, Zamboni explains. Components have shifted, and the water tank is much larger.
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Marissa BaeckerGetty Images
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May 12, 2021
Mohenjo
Crime, Human Interest, Medical, missed News, Political, Science, Technical
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May 11, 2021
Mohenjo
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Omaha is the largest city in the U.S. state of Nebraska and the county seat of Douglas County. Omaha is in the Midwestern United States on the Missouri River, about 10 miles (15 km) north of the mouth of the Platte River (also known as the Nebraska River). The nation’s 40th-largest city, Omaha’s 2019 estimated population was 478,192, compared to its 2010 census population of 408,958. It is the second-largest city in the Great Plains states (behind Oklahoma City), the second-largest city along the Missouri River (behind Kansas City, Missouri), and the seventh-largest city in the Midwest.
Omaha is the anchor of the eight-county, bi-state Omaha-Council Bluffs metropolitan area. The Omaha Metropolitan Area is the 59th largest in the United States, with an estimated population of 944,316 (2018). The Omaha-Council Bluffs-Fremont, NE-IA Combined Statistical Area (CSA) encompasses the Omaha-Council Bluffs MSA as well as the separate Fremont, NE Micropolitan Statistical Area, which consists of the entirety of Dodge County, Nebraska. The total population of the CSA was 970,023 based on 2017 estimates. Approximately 1.3 million people reside within the Greater Omaha area, within a 50 mi (80 km) radius of Downtown Omaha. Wikipedia
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An image from Omaha, NE, USA
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May 11, 2021
Mohenjo
Business, Food For Thought, Human Interest, Science, Technical
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It was recently my birthday. It wasn’t a “big” birthday — one of those round-numbered ones that feels like a milestone — but nevertheless, it got me thinking about aging.
When I was a kid, growing older felt like an achievement. Each year that passed marked one step closer to adulthood, which for me meant independence and freedom. I remember going to the city with my dad to see plays or go to the Met and seeing a group of women having lunch in a café. It seemed glamorous and exciting to be an adult. I couldn’t wait.
Likewise, I never quite understood the popular antipathy toward old age. At Spencer’s, a novelty store at the Galleria Mall in White Plains where my friends and I would find gag gifts, I was always perplexed by the section of “Over the Hill” merchandise. I mean, my grandparents didn’t listen to my music or play Nintendo with me, but they were cool in their own way — not crusty and out of touch like the caricatures suggested. The geezer jokes and “lying about your age” punchlines that adorned the mugs and t-shirts there seemed to come from another world, one that didn’t make sense to me.
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Angus Greig
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