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Budelli is an island in the Maddalena archipelago, near the strait of Bonifacio in northern Sardinia, Italy. It is one of the seven islands that comprise Arcipelago di La Maddalena National Park.

Budelli is several hundred meters south of the islands of Razzoli and Santa Maria. It has an area of 1.6 square kilometers (0.62 sq mi) and a circumference of 12.3 kilometers (7.6 mi). The highest point is Monte Budello, at 87 meters (285 ft).

In antiquity, the Romans used the island. More recently, it was the site of some of the filming for Red Desert, released in 1964. For decades, the island had a series of private owners.

Budelli is especially renowned for its Spiaggia Rosa (Pink Beach), on the southeastern shoreline, which owes its color to microscopic fragments of corals and shells, such as Miriapora truncata and Miniacina miniacea, and was featured in Antonioni’s 1964 film Il deserto rosso (The Red Desert). Budelli was one of four uninhabited islands in the Maddalena archipelago—the others being Caprera, Spargi, and Razzoli. However, from 1989 to 2021, the island had a permanent caretaker, Mauro Morandi, who took over from a married couple.

Rules imposed as of the 1990s by La Maddalena NP have not allowed tourists to walk on the pink beach or swim in the sea; however, day trips by boat, as well as walking along a path behind the beach, were permitted.

In October 2013, the island was to be sold for €2.94 million to New Zealand businessman Michael Harte after the bankruptcy of the previous owner. Harte intended to protect the island’s ecosystem. The government protested, and after a three-year court battle, a judge in Sardinia reverted the island to the state, with the national park planning to use it for environmental education. Wikipedia

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An image of Budelli Pink Sand

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Salisbury Cathedral from the Bishop’s Grounds is an 1823 landscape painting by the nineteenth-century landscape painter John Constable (1776–1837). This image of Salisbury Cathedral, one of England’s most famous medieval churches, is one of his most celebrated works, and was commissioned by one of his closest friends, John Fisher, The Bishop of Salisbury. The 1823 version of the painting has been in the collection of the Victoria & Albert Museum in London, since its bequest in 1857.

Constable visited Salisbury in 1811 and made a series of sketches of the cathedral, from the southeast, the southwest, and from the east end. The artist selected a viewpoint from the bishop’s garden (the southeast) and returned in 1820 to make further drawings and an open-air oil sketch, now in the National Gallery of Canada in Ottawa, which served as the model for the London version. Included in the paintings are figures of Dr. Fisher and his wife at the bottom left. Following the exhibition of the London version at the 1823 Royal Academy, Constable observed: “My Cathedral looks very well….It was the most difficult subject in Landscape I ever had upon my Easel. I have not flinched at the work of the windows, buttresses, &c. – but I have as usual made my escape in the Evanescence of the Chiaro-Oscuro”. His patron took exception to the dark cloud over the cathedral, and when he commissioned a smaller replica, requested “a more serene sky”.

A full-scale replica of the painting also resides at the Frick Collection in New York City. It is slightly different in that it shows different weather and hence light. Whereas the London version depicts the cathedral with an overcast sky, the version in the Frick shows the cathedral with a clear, bright sky. It was executed in 1825 after Fisher requested, in a letter, that Constable repaint the sky in the London version. Unfortunately, Fisher died before Constable completed the work. A full-scale study for the Frick version is currently held at the Metropolitan Museum of Art.

There is an earlier, homonymous version (1821–1822) of this painting at São Paulo Museum of Art in São Paulo. This is an early oil sketch for the London version.

Another, small version of the painting, measuring 62.9 × 75.9 cm, executed between 1823 and 1826, now resides at the Huntington Library in San Marino, California. This smaller, sunnier version was painted for John Fisher as a wedding present for his daughter, Elizabeth.

Constable painted many views of Salisbury Cathedral during his career, including Salisbury Cathedral and Leadenhall from the River Avon (1820) and more famously Salisbury Cathedral from the Meadows (1831). Wikipedia

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An image of Salisbury Cathedral From The Bishop’s Grounds John Constable

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The white rhinoceros, white rhino or square-lipped rhinoceros (Ceratotherium simum) is the largest extant species of rhinoceros. It has a wide mouth used for grazing and is the most social of all rhino species. The white rhinoceros consists of two subspecies: the southern white rhinoceros, with an estimated 19,682–21,077 wild-living animals in the year 2015, and the much rarer northern white rhinoceros. The northern subspecies has very few remaining individuals, with only two confirmed left in 2018 (two females: Fatu, 18, and Najin, 29), both in captivity. Sudan, the world’s last known male northern white rhinoceros, died in Kenya on 19 March 2018.

Popular albeit widely discredited theory of the origins of the name “white rhinoceros” is a mistranslation from Dutch to English. The English word “white” is said to have been derived by mistranslation of the Dutch word “wijd”, which means “wide” in English. The word “wide” refers to the width of the rhinoceros’ mouth. So early English-speaking settlers in South Africa misinterpreted the “wijd” for “white” and the rhino with the wide mouth ended up being called the white rhino and the other one, with the narrow pointed mouth, was called the black rhinoceros. Ironically, Dutch (and Afrikaans) later used a calque of the English word, and now also call it a white rhino. This suggests the origin of the word was before codification by Dutch writers. A review of Dutch and Afrikaans literature about the rhinoceros has failed to produce any evidence that the word wijd was ever used to describe the rhino outside of oral use.

An alternative name for the white rhinoceros, more accurate but rarely used, is the square-lipped rhinoceros. The white rhinoceros’ generic name, Ceratotherium, given by the zoologist John Edward Gray in 1868, is derived from the Greek terms keras (κέρας) “horn” and thērion (θηρίον) “beast”. Simum is derived from the Greek term simos (σιμός), meaning “flat-nosed”.

The white rhinoceros of today was said to be likely descended from Ceratotherium praecox which lived around 7 million years ago. Remains of this white rhino have been found at Langebaanweg near Cape Town. A review of fossil rhinos in Africa by Denis Geraads has however suggested that the species from Langebaanweg is of the genus Ceratotherium, but not Ceratotherium praecox as the type specimen of Ceratotherium praecox should, in fact, be Diceros praecox, as it shows closer affinities with the black rhinoceros Diceros bicornis. It has been suggested that the modern white rhino has a longer skull than Ceratotherium praecox to facilitate consumption of shorter grasses which resulted from the long-term trend to drier conditions in Africa. However, if Ceratotherium praecox is in fact Diceros praecox, then the shorter skull could indicate a browsing species. Teeth of fossils assigned to Ceratotherium found at Makapansgat in South Africa were analyzed for carbon isotopes and the researchers concluded that these animals consumed more than 30% browse in their diet, suggesting that these are not the fossils of the extant Ceratotherium simum which only eats grass. It is suggested that the real lineage of the white rhino should be; Ceratotherium neumayri → Ceratotherium mauritanicum → C. simum with the Langebaanweg rhinos being Ceratotherium sp. (as yet unnamed), with black rhinos being descended from C. neumayri via Diceros praecox.

Recently, an alternative scenario has been proposed under which the earliest African Ceratotherium is considered to be Ceratotherium efficax (now synonymous with C. mauritanicum), known from the Late Pliocene of Ethiopia and the Early Pleistocene of Tanzania. This species is proposed to have been diversified into the Middle Pleistocene species C. mauritanicum in northern Africa, C. germanoafricanum in East Africa, and the extant C. simum. The first two of these are extinct, however, C. germanoafricanum is very similar to C. simum and has often been considered a fossil and ancestral subspecies to the latter. The study also doubts the ancestry of C. neumayri from the Miocene of southern Europe to the African species. The ancestor of both the black and the white rhinos was likely a mixed feeder, with the two lineages then specializing in browsing and grazing, respectively. The oldest definitive record of the White Rhinoceros is during the mid-Early Pleistocene at Olduvai Gorge in Tanzania, around 1.8 Ma. Wikipedia

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An image of a White Rhinoceros

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Eilean Donan is a small tidal island situated at the confluence of three sea lochs (Loch Duich, Loch Long, and Loch Alsh) in the western Highlands of Scotland, about 1 kilometer (5⁄8 mi) from the village of Dornie. It is connected to the mainland by a footbridge that was installed early in the 20th century and is dominated by a picturesque castle that frequently appears in photographs, film, and television. The island’s original castle was built in the thirteenth century; it became a stronghold of the Clan Mackenzie and their allies, the Clan MacRae. However, in response to the Mackenzies’ involvement in the Jacobite rebellions early in the 18th century, government ships destroyed the castle in 1719. The present-day castle is Lieutenant-Colonel John Macrae-Gilstrap’s 20th-century reconstruction of the old castle.

Eilean Donan is part of the Kintail National Scenic Area, one of 40 in Scotland. In 2001, the island had a recorded population of just one person, but there were no “usual residents” at the time of the 2011 census. Eilean Donan, which means simply “island of Donnán”, is named after Donnán of Eigg, a Celtic saint who was martyred in 617. Donnán is said to have established a church on the island, though no trace of this remains.

It is possible that an early Christian monastic cell was founded on the island in the 6th or 7th century, and that it was dedicated to Donnán of Eigg, an Irish saint who was martyred on Eigg in April 617. No remains of any Christian buildings survive, though fragments of vitrified stone (stone that has been subjected to very high temperatures) have been discovered, indicating that there was an Iron Age or early medieval fortification on the island.

In the earlier thirteenth century, during the reign of Alexander II (ruled 1214–1249), a large curtain-wall castle (wall of enceinte) was constructed; it enclosed much of the island. At this time, the area around the island was at the boundary of the Norse-Celtic Lordship of the Isles and the Earldom of Ross: Eilean Donan provided a strong defensive position against Norse expeditions. A founding legend has it that the son of a chief of the Mathesons acquired the power to communicate with birds; as a result of this power, and after many adventures overseas, he gained wealth, power, and the respect of Alexander II, who asked him to build the castle to defend his realm.

At a later date, the island became a stronghold of the Mackenzies of Kintail, originally vassals of William I, Earl of Ross. At this early stage, the castle is said to have been garrisoned by Macraes and Maclennans, both clans that were later closely associated with the Mackenzies Traditional Mackenzie clan histories relate that Earl William sought advantage from the Treaty of Perth of 1266, by which King Magnus VI of Norway ceded the Hebrides to Scotland, and demanded that his kinsman Kenneth Mackenzie return the castle to allow his expansion into the islands. Mackenzie refused, and Earl William led an assault against Eilean Donan that the Mackenzies and their allies repulsed.

The Mackenzie clan histories also claim (with little, if any, supporting contemporary evidence), that Robert the Bruce sheltered at Eilean Donan during the winter of 1306 to 1307; the castle escaped any other involvement in the Wars of Scottish Independence. In 1331 Thomas Randolph, Earl of Moray, sent an officer to Eilean Donan to warn the occupants of his forthcoming visit. In preparation 50 wrongdoers were rounded up and executed, their heads being displayed on the castle walls to Moray’s approval. By the middle of the 14th century, the Mackenzies are said to have been on the losing side in the ongoing feuding with the Earls of Ross. William III, Earl of Ross granted Kintail to Raghnall Mac Ruaidhrí in 1342. With the assistance of Leod Macgilleandrais, the Earl allegedly apprehended Kenneth Mackenzie, 3rd of Kintail, and had him executed in 1346 at Inverness. Through this period Eilean Donan is said to have been held by Duncan Macaulay for the Mackenzies, against the Earl and his allies. Kenneth’s young son Murdo Mackenzie supposedly evaded the Earl’s attempts to eliminate him, and on the return of David II from exile Murdo Mackenzie was allegedly confirmed in the lands of Kintail and Eilean Donan by a charter of 1362 (of which, however, no trace survives to the present day). At some point in the earlier 14th century, it is thought that the Clan Macrae began to settle in Kintail as a body, having migrated from the Beauly Firth, and there gained the trust of the Mackenzie lairds through possible kinship and an advantageous marriage. The Macraes began to act as Mackenzie’s bodyguards, acquiring the soubriquet “Mackenzie’s shirt of mail”. Wikipedia

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An image of Eilean Donan Castle

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