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What The Flock?

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Don’t tickle the monkey!

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Why ‘Isle of Dogs’ may be Wes Anderson’s most timely film yet

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It was 1999 when I first interviewed Wes Anderson, in the back of a yellow tour bus that had been rented by the studio behind “Rushmore,” his sophomore film. The un­or­tho­dox setting, as the then-29-year old filmmaker explained, was a concession to his fear of flying. When I caught up with him earlier this month by phone, Anderson was traveling by train through his home state of Texas, where he had just flown in from Germany for a screening of his latest (and ninth) movie, the stop-motion animation “Isle of Dogs.”

Obviously, much has changed for the 48 -year-old director, two of whose films (“Fantastic Mr. Fox” and “The Grand Budapest Hotel”) have since been nominated for Oscars, and who regularly hops between Paris and New York, where he and his partner, the writer and designer Juman Malouf, divide their time.

In that 19-year interval, Anderson says, the biggest change is how much easier it has become to make movies, given that he has developed what might be called a working company of actors who regularly jump at the chance to appear in his films. (Several of them are in “Dogs,” including Bill Murray, Jeff Goldblum, Edward Norton, Frances McDormand and Tilda Swinton.) More important, Anderson says, is the “whole gang of people” who regularly work behind the scenes — a gang that includes his frequent producer Jeremy Dawson, who has worked with him on five films.

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From left, Bryan Cranston as “Chief,” Bob Balaban as “King,” Koyu Rankin as “Atari Kobayashi,” Bill Murray as “Boss,” Edward Norton as “Rex” and Jeff Goldblum as “Duke” in “Isle of Dogs.” (Credit: Fox Searchlight Pictures)

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Click link below for article:

https://www.washingtonpost.com/lifestyle/style/why-isle-of-dogs-may-be-wes-andersons-most-timely-film-yet/2018/03/23/77e4898c-2d26-11e8-8688-e053ba58f1e4_story.html?utm_term=.56916d068373

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Following the Footsteps of my Father

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This is what a real hero looks like.  Inspiring!

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Freed P.O.W.’s

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https://player.vimeo.com/video/198357872

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Box Office: ‘Black Panther’ Should Terrify Every Hollywood Studio

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The Universal/Comcast release Pacific Rim: Uprising has a decent shot at making a skewed kind of history by finally dethroning Black Panther from the top spot on the weekend box office charts. It could be the Lost in Space of our generation. Ryan Coogler and Joe Robert Cole’s Black Panther is already the first movie since Avatar in 2009/2010 to top the weekend box office for five frames in a row. Heck, it’s only the 11th movie in 30 years to do so.

It sits alongside Good Morning Vietnam in 1988, Rain Man in 1988/1989, Look Who’s Talking in 1989, Home Alone in 1990, The Silence of the Lambs in 1991, Wayne’s World in 1992, The Fugitive in 1993, Titanic in 1997/1998, The Sixth Sense in 1999 and Avatar in 2009/2010. Such sprees became a lot less common after 1993. But they were somewhat common in the mid-1980s, as Fatal Attraction, Stake Out and The Secret of My Success all did it in 1987. Black Panther is the 25th movie to top the charts for five or more consecutive weekends.

But here’s the terrifying part (for the competition, and potentially the industry as a whole): The MCU flick is doing this at the expense of other would-be event movies. Black Panther has pulled these kinds of legs and this level of domestic box office by beating movies that presumed themselves to be tentpoles. When Titanic did its thing 20 years ago, the “victims” were mostly smaller-scale studio programmers that weren’t necessarily do-or-die releases for their respective studios.

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Walt DIsney

‘Black Panther’

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Click link below for article:

https://www.forbes.com/sites/scottmendelson/2018/03/20/box-office-black-panther-has-become-hollywoods-worst-nightmare/#5beb981c566a

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Ursula K. Le Guin, Acclaimed for Her Fantasy Fiction, Is Dead at 88

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Ursula K. Le Guin, the immensely popular author who brought literary depth and a tough-minded feminist sensibility to science fiction and fantasy with books like “The Left Hand of Darkness” and the Earthsea series, died on Monday at her home in Portland, Ore. She was 88.

Her son, Theo Downes-Le Guin, confirmed the death. He did not specify a cause but said she had been in poor health for several months.

Ms. Le Guin embraced the standard themes of her chosen genres: sorcery and dragons, spaceships and planetary conflict. But even when her protagonists are male, they avoid the macho posturing of so many science fiction and fantasy heroes. The conflicts they face are typically rooted in a clash of cultures and resolved more by conciliation and self-sacrifice than by swordplay or space battles.

Her books have been translated into more than 40 languages and have sold millions of copies worldwide. Several, including “The Left Hand of Darkness” — set on a planet where the customary gender distinctions do not apply — have been in print for almost 50 years. The critic Harold Bloom lauded Ms. Le Guin as “a superbly imaginative creator and major stylist” who “has raised fantasy into high literature for our time.”

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Ms. Le Guin speaking in 2014 at the University of Oregon.CreditJack Liu

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https://www.nytimes.com

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Bon Jovi Performs ‘You Give Love A Bad Name’

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The Rock and Roll Hall of Fame band plays a classic from their 1986 album ‘Slippery When Wet.’

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Bon Jovi

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Sarah Jones: What does the future hold? 11 characters offer quirky answers

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Sarah Jones changes personas with the simplest of wardrobe swaps. In a laugh-out-loud performance, she invites 11 “friends” from the future on stage—from a fast-talking Latina to an outspoken police officer—to ask them the questions all of us want answered.

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Walk Off The Earth – Halftime Vikings vs. Saints (NFL Playoffs ’18)

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Five on one (guitar)!

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Walk Off The Earth

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Paul Bocuse, Celebrated French Chef, Dies at 91

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Paul Bocuse, the most celebrated French chef of the postwar era and a leading figure in the pathbreaking culinary movement known as nouvelle cuisine, died on Saturday, his family said in a statement. He was 91.

Mr. Bocuse emerged as the first among a brilliant band of chefs who developed a modernized version of classic French cooking in the late 1960s and early ’70s, cheered on by Henri Gault and Christian Millau, the publishers of the influential Gault-Millau Guide. Following the lead of Fernand Point, the spiritual father of nouvelle cuisine and a mentor to many of its pioneers, Mr. Bocuse shaped a style of cooking at the Auberge du Pont de Collonges, his three-star restaurant near Lyon, that stressed fresh ingredients, lighter sauces, unusual flavor combinations and relentless innovation that, in his case, rested on a solid mastery of classic technique.

His signature dishes not only pleased the palate; they also seduced the eye and piqued the imagination. He stuffed sea bass with lobster mousse and encased it in pastry scales and fins. He poached a truffled Bresse chicken inside a pig’s bladder.

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A mural of Mr. Bocuse was painted in Lyon in 2015. Despite his international status, the chef remained deeply rooted in his native soil.CreditJeff Pachoud/Agence France-Presse — Getty Images

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https://www.nytimes.com

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Dolores O’Riordan, Lead Singer of the Cranberries, Dies at 46

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Dolores O’Riordan, the lead singer of the Irish rock band the Cranberries, died on Monday in London. She was 46.

Her death was announced by her publicist, who did not specify the cause.

“Irish and international singer Dolores O’Riordan has died suddenly in London today,” Lindsey Holmes, the publicist, said in an emailed statement, adding that Ms. O’Riordan had been in London for a recording session.

The statement said that family members are “devastated to hear the breaking news and have requested privacy at this very difficult time.”

A spokeswoman for the Metropolitan Police said on Monday that the police were called to a Park Lane hotel in Westminster at about 9:05 a.m., and that Ms. O’Riordan was pronounced dead at the scene. Her death is not being treated as suspicious.

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Dolores O’Riordan

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Click link below for article:

https://www.nytimes.com

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