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When I was a kid in my Alabama hometown, every year brought the same parties in our Nigerian-American community: the Fourth of July cookout in the park; the Christmas throw-down in the hotel banquet hall, where my family and our friends wore our finest traditional clothing, a sea of blinding-bright textures and elaborate head ties, called geles, that stretched toward the ceiling. During those holiday parties, as Fela Kuti and King Sunny Adé played from the speakers, I inevitably ended up staring at my mother’s girlfriends, other married (but sometimes divorced or single) women, as they floated around the hall, eating, talking, laughing. Their hair and makeup were exquisitely done, with big curls and updos, red lipstick, and vivid eye shadow; their outfits, planned weeks in advance, melded glamour and comfort, so they could sweep you up into their folds of crinkly, glittering fabric as they danced; and their jewelry, usually gold or coral, was dramatic. Their shoes and purses matched, obviously. Their swagger seemed both over-the-top and effortless.
I was never exactly sure how to define my relationship to those women in my mom’s life. My mom’s sisters were naturally my aunts, beloved by my brothers and me. But her friends were also a constant part of the background—in our home, at gatherings at the houses of my parents’ friends, and at important moments like birthdays and graduations—and though they weren’t relatives, my mom instructed me to refer to all of them as “Auntie” anyway. The women were not my “age-mate,” as Nigerians like to say, not people I could treat like my school and neighborhood friends, and over time, they became like family. They flooded me with love and praise—and they disciplined me, shouting my name as a warning when I got out of line or ran around like a heathen. (In fact, sometimes I wanted to shout back that they were not my mom.)
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Model Adut Akech sits pretty in a many-patterned Duro Olowu dress (ikram.com) and up-to-there gele, or head tie. Octave Jewelry earrings. Victoria Beckham boots. In this story: Hair, Shiori Takahashi; makeup, Ammy Drammeh. Photographed by Nadine Ijewere, Vogue, December 2020
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James' World 2 
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