Click the link below the picture
.
The Greek-born director Yorgos Lanthimos likes to make movies that trap his characters in confined spaces where a different set of rules applies from those in the outside world. In his early feature Dogtooth, three adult siblings are trapped in an eternal childhood by their brainwashing parents. The Lobster imagines a bizarre dystopia where all newly single people are given 45 days to find a life partner or face being transformed into animals. The Favourite tracks the power struggles between two dueling ladies-in-waiting at the court of a rapidly deteriorating queen. Even the globe-trotting libertines of Poor Things are boxed in by that film’s deliberately artificial soundstage exteriors. Lanthimos enjoys pinning his characters in place and watching them wriggle their way toward escape as best they can.
The director’s latest, the unremittingly grim black comedy Bugonia, takes entrapment as both its explicit theme and its guiding aesthetic principle. This tale of a pharmaceutical-industry CEO who’s kidnapped by a low-wage worker at her company was inspired by the 2003 South Korean comedy Save the Green Planet!, a movie it structurally resembles enough to qualify as a remake. But in our current era of widespread social-media brain rot, the notion of a conspiracy theorist driven by his delusions to commit a violent crime hits different than it did at the turn of the millennium. Like Ari Aster’s Eddington earlier this year, Bugonia invites us inside the internet-poisoned imagination of a lonely male protagonist who has “done his own research”—and, as with Eddington, the result is an allegory about contemporary life that’s as nauseatingly gory as it is thuddingly obvious.
.
Focus Features
.
.
Click the link below for the complete article:
.
__________________________________________
James' World 2 
Leave a comment