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Manipulating the fabric of time usually causes everything to unravel, but that’s a possibility that Sophie (Judy Greer) is more than willing to risk. The past eight months of her life have been defined by suffocating loss: after her husband, Malcolm (Edi Gathegi), was killed by a drunk driver, she’s struggled to stay afloat. Long shifts in hospice care — and an even longer court battle with the man who destroyed her life — have driven her beyond her wits’ end.
Her young daughter Riley (Faithe Herman) isn’t faring much better. She’s skipping classes, starting fights with her mother, and alienating herself from the life she once loved. Malcolm was the glue that held their family together, but Sophie and Riley still have one lifeline in the form of Jabir (Payman Maadi), Malcom’s closest friend.
Jabir is mourning a past life as well: a tumultuous dictatorship in his native country saw the demise of his entire family. Like Malcolm, he’s a talented physicist; his thirst for retribution enables him to put those talents to brilliant use. He’s been quietly building a time machine for years, and though he’s not able to send a person back in time just yet, his machine does have another dubious purpose. Given the proper data, this machine can displace particles in the past — and take someone’s life in the process.
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