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“It’s good to be in something from the ground floor. I came too late for that, I know. But lately, I’m getting the feeling that I came in at the end.” —Tony Soprano
You’re wrong about that one, Tony. It may be that no TV show does anything entirely new — change always builds on change. But “The Sopranos” was as clear a marker of the beginning of an era (even if I hate the term “Golden Age”) as anything in TV.
Before “The Sopranos,” yes, TV dramas could take risks (“Twin Peaks”) and tell stories about difficult people (“NYPD Blue”). But after the ducks landed in Tony’s backyard pool in January 1999, an immense flock followed. TV series, we saw, could rely on audiences to pay close attention to a long-running story. They could have high visual and narrative ambitions. They could resist quick answers (or any answers, in the case of the Russian from “Pine Barrens”) and tidy moral conclusions.
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Best TV Drama
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James' World 2 
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